FOTOCULT MAGAZIN

View Original

Sargent and Fashion

22 FEBRUARY – 7 JULY 2024

Free for Members

Fashion, identity, painting: explore the unique work of John Singer Sargent

John Singer Sargent; 1892 National Galleries of Scotland. Purchased with the aid of the Cowan Smith Bequest Fund 1925

Celebrated for his striking portrait paintings, this exhibition sheds new light on John Singer Sargent’s acclaimed works. It explores how he worked like a stylist to craft the image of the sitters he painted, who he often had close relationships with.

Sargent used fashion as a powerful tool to express identity and personality. He regularly chose the outfits of his collaborators or manipulated their clothing. This innovative use of costume was central to his artwork – for example, tugging a heavy coat tighter around a man to emphasise his figure or letting a dress strap sensuously slip from a woman’s shoulder. It was these daring sartorial choices that allowed him to express his vision as an artist.

Almost 60 of Sargent’s paintings will be on display, including major portraits that rarely travel. Several period garments will also be showcased alongside the portraits they were worn in. The show examines how this remarkable painter used fashion to create portraits of the time, which still captivate today.

Dates

22 February – 7 July 2024

Advance booking is recommended

Members enjoy free entry – no need to book, just turn up with your card

Pricing

£22 / Free for Members

Concessions available

£5 for Tate Collective. 16–25? Sign up and log in to book

How to book a school visit

Booking and Ticketing FAQs

Lead support with a generous donation from the Blavatnik Family Foundation. Additional support from the Sargent and Fashion Exhibition Supporters Circle and Tate Americas Foundation.
Organised by Tate Britain and the Museum of Fine Arts, Boston. Both MFA Boston and Tate Britain received generous support for international scholarly convenings and for the exhibition from the Terra Foundation for American Art

FOTOCULT Blog by Glaphyra Gusenbauer

www.viepa.org